The Art of the Exposition Personal Impressions of the Architecture, Sculpture, Mural Decorations, Color Scheme & Other Aesthetic Aspects of the Panama-Pacific International Exposition
- Yazar
- Neuhaus, Eugen, 1879-1963
- Tür
- Mimarlık ve Tasarım
- Yayın tarihi
- 2004-05-01
- Yayıncı
- OBA Akademik ve Kültürel Yayın Platformu
- Biçim
- E-kitap
- Fiyat
- Ücretsiz
- Anahtar kelimeler
- Panama-Pacific International Exposition (1915 : San Francisco, Calif.), Art -- Exhibitions, N: Fine Arts
Kısa tanıtım
"The Art of the Exposition" by Eugen Neuhaus is a detailed artistic critique and exploration written in the early 20th century, specifically in the context of the Panama-Pacific International Exposition of 1915. The work focuses on various aesthetic aspects of the exposition, including architecture, sculpture, mural decorations, and color schemes, emphasizing the exceptional artistic achievements displayed in this grand cultural event. The beginning of the book establishes Neuhaus' profound admiration for the artistic integrity of the exposition, presenting it as a harmonious blend of various art forms. He reflects on the overall architectural scheme, noting its tranquility and balance, which encouraged a serene visitor experience. Each section of the opening highlights the different facets of the exposition, from the impression left by the buildings to the eloquence of the individual artistic contributions, suggesting that the event is not just a showcase of industrial achievements but a monumental celebration of beauty and art. (This is an automatically generated summary.) Hazırlayanlar: This eBook was produced by David Schwan Kaynak: Project Gutenberg (eBook 5771). Public domain in the USA. https://www.gutenberg.org/ebooks/5771
Önizleme
"The Art of the Exposition" by Eugen Neuhaus is a detailed artistic critique and exploration written in the early 20th century, specifically in the context of the Panama-Pacific International Exposition of 1915. The work focuses on various aesthetic aspects of the exposition, including architecture, sculpture, mural decorations, and color schemes, emphasizing the exceptional artistic achievements displayed in this grand cultural event. The beginning of the book establishes Neuhaus' profound admiration for the artistic integrity of the exposition, presenting it as a harmonious blend of various art forms. He reflects on the overall architectural scheme, noting its tranquility and balance, which encouraged a serene visitor experience. Each section of the opening highlights the different facets of the exposition, from the impression left by the buildings to the eloquence of the individual ar
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